One of the modules studied by first year students on our BA (Hons) Conservation: Books & Paper course, looks at developing observational drawing skills and understanding the historic drawing processes involved in making medieval illuminated manuscripts, essential knowledge for the conservator’s tool kit.
Throughout the module, students were introduced to a range of drawing techniques by tutor Sarah Davis. The first seven sessions were held online with the students being led through the fundamentals of observational drawing. Starting with measuring techniques and moving on to light, shade and shadow.
As well as enhancing their observational skills they were able to really get a feel for the materials at work when an artist is drawing, which is invaluable for their work as conservators.
With the easing of restrictions, we were able to hold some of the sessions at the Art School. By this point we were focusing on manuscript drawing and the tools and techniques the Medieval miniaturist would have used to create an image.
From preparing Vellum for use, to creating underdrawings and inking over, the students were able to peel back layers of history to better understand the complicated process involved.
